Issue date: 7/2/09 Section: Features

One of the flaws of "Cope" is that many of its songs are too repetitive and lose listeners' interest. "Mancry" is saved from this by its appealing nature, but in the other tracks, mediocre phrases or lyrics are repeated in excess, and songs become tedious to listen through. Repetitions aren't to an absurd extent, so the songs aren't ruined but they do suffer. For example, in "Wish I Was Here," the song's title is sung over and over for almost three minutes. While Freeland probably hoped to convey a true feeling of desire by repeating the phrase, it instead sounds forced and therefore isn't believable.

Another weakness, also involving excess, is the overuse of synthesized sounds and effects. Every sound on the album, save for the drums, is ridden with fuzzy, grungy effects. Even the vocals are altered, often sounding like it is being sung through a megaphone. Yes, this is electronic music; effects and computerized sounds are expected. When it is used so heavily though, I find that the music becomes noisy and difficult to listen to. Such was the case for me with "Cope."

"Cope" excels in technical aspects, and I would recommend a listen if music specifics interest you. It is also a solid electronic and club music album. However, other than "Mancry," most of the tracks seem fairly uninspired and aren't able to communicate anything insightful or meaningful.



Clay Harley is a junior business administration major

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